The optical construction of this new lens was made possible by modern research and the use of rare earth "lanthanum" glass. It consisted of seven elements including an overly large rear group and a front element large enough to cover fl.4! This resulted in a lens with very little vignetting and a high degree of evenness of illumination for the period. It also provided an unusually flat field and excellent correction despite its fast speed. By all standards of the time, the 35mm/fl.8 Nikkor was a very modern lens, and undeniably the best wideangle Nippon Kogaku made during the rangefinder era.
Besides its modern optical formula, this lens also heralded a new type of barrel design for the rangefinder Nikkors. It was released in a lightweight black painted aluminum mount with a pronounced "hill & dale" type knurling for the focusing ring. The black barrel itself was not new for Nikon, since the 85/fl.5, 105 f2.5, some early fl.4s and the long Nikkors used on the reflex housing, were already being made in black. What was new was that the fl.8 was the first of the shorter lenses to come in this more modern finish and predated the general switch over to black by Nikon that occurred by the end of 1957, when nearly every lens was being produced in black. The real improvement was the focusing mount itself. The new knurling style, although derived from that used on the 180/f2.5 where weight mandated a very gripable ring, was a vast improvement over every other RF Nikkor between 25mm and 135mm, save the 50mm/fl.1, which was under development at the same time. Why Nippon Kogaku did not adapt this much easier to use focusing ring design to their other lenses is a mystery to me. Surely the telephotos such as the 85s, the 105 and the 135 would have benefited from such a ring. Nikon would later redesign both the 85s and the 135 barrels, but gave them rings similar to the 105/f2.5 and not the 35/fl.8! The other wideangles as well as the normals would be converted to black shortly, yet their rings remained unchanged. Even a lens that would not be released for three more years, the 21mm/f4, was produced with a finely knurled ring instead of the much easier to grip type found on this lens. The only other
lens that would benefit from the new design would be the last version of the 35mm/f2.5, which even looks like the fl.8 right down to the same diaphragm ring! Whatever the reason, Nippon Koqaku chose not to use this more modern design for the remainder of the RF era. However, by 1959 they obviously had changed their minds, for all the Auto-Nikkors that were released with the Nikon F used this new focusing ring!
The serial numbers for the 35/fl.8 began at #351801. it is obvious that instead of using the date to start the number, Nippon Kogaku chose to use the focal length (35) and the speed (18) to come up with "3518xx" for this lens. Since they usually started their numbers with "Ol" and not "00", the first lens would be, and was, #351801. To date numbers up to 360079 have been reported for a possible production of 8,000 plus units.
There are two distinct variations available, although the difference in only in the barrel. When this lens was first released it came in a completely black barrel, save for the mounting ring at the rear. Even the unique diaphragm ring (more later) was painted black on this first version, which is the one pictured in most of the literature produced by Nikon. To date these all black lenses have been reported between the first lens, #351801, and #351859, or 58 units! Lens #351875 has been verified to have a chrome ring and no lenses with black rings have been reported after #351875. Therefore, it is probable that less than 75 all black 35mm/fl.8 lenses were made! Although it is a handsome design in all black, it may have become obvious quite early that it was not durable. The ring appears to be simply black painted brass, and some surviving examples show that it wore off easily. Whatever the reason, by lens #75 they changed it to a brightly finished chrome that was toned down a bit as time passed. The earlier bright ring may have been prone to flare, which the black ring never would have caused.
The configuration of the diaphragm ring was unique to this lens (until it was adopted for the later redesigned 35/f2.5), although a similar style was used on the 21mm three years later. This lens took the same 43mm filters as most lenses in the line. However, it took a 48mm cap which used threads on the inner surface of the diaphragm ring and riot the threads used for the filters. it also required its own 48mm snap-on shade that fits no other wideangle Nikkor. Because of its deep-set rear element, it used the same "WW" rear cap as the 25mm Nikkor.
The top photos illustrate the two basic
variations found in the 35mmfNikkor.l.8 Nikkor. On
the left is an example of the very first
production run of which probably less than 75
units were ever made! Beginning with the first
lens, #351801, this type has been verified up
through lens #351859, or 58 pieces! The rather
obvious difference is the black painted diaphragm
ring, which was unique to this lens
until the release of the 21mm/f4 and the redesigned
35mm/f2.5. The lens on the right is
also quite early, but it now has the more
familiar chrome diaphragm ting found on all
lenses reported after #351875. Note that, save
for some slight engraving differences, these
two lenses are identical.|
The inside thread of the diaphragm ring measures 48mm, and the standard front cap for this lens attaches to this thread. A second set of threads can be seen, which measure 43mm and are used for mounting Filters. However, it is obvious that any 43mm front cap would also fit, but Nikon designed this lens to use the 48mm threads for the cap. Why go though this trouble? Your guess is as good as mine! The optical formula shows the large front and rear elements of this design. At left is a rear view illustrating the deep set rear group found on this lens
|The 35mm/f1.8 Nikkor is an inherently compact lens but it is obvious that some of this size advantage was lost with the addition of the auxiliary finder and the shade Although the finder was not necessary after the arrival of the SP/S3 type cameras it was needed by users of the S2 and earlier cameras Also, it is possible the many users reverted back to a separate finder once the black brightline type became available. Yes the SP has its tiny 28/35 finder, but the view though the brightline finder is superb, and even the S3 finder does not match up! For ease of use and overall brilliance the brightline were vastly superior to those built into the camera bodies.|
|The shade for the 35mm/f1.8 Nikkor is unique to this lens Because of its 48mm attachment size, it will fit no other wideangle lens in the Nikon tine. The only other Nikkor with a 48mm filter thread is the 85mm/f2 which would have no use for this shallow shade. So the shade for this lens is specific and is so marked. It is of the modern black snap-on reversing type, with no screw-in version known to this author. Slightly different engraving variations probably exist but the basic design remained unchanged.|